Let’s take a look at the post production capabilities of the 1248. The ability to slate takes with an onboard mic.The ability to receive and chase timecode.8 or more XLR Mic Preamps with phantom power available on each.The ability to record at 96kHz or higher. Small, portable size which doesn’t require rack mounting.įor a production recorder, the media creative really needs the following:.Headphone output which doesn’t kill off any other outputs.MIDI IN & OUT which is especially critical for doing keyboard-generated foley/sfx (coming soon in the Cinema Sound Store).Strong drivers for mac & PC which works flawlessly with Logic, Pro Tools, Audition, Nuendo, Cuebase and just about every DAW for either system…and constantly updated drivers.The ability to do latency-free routing for VO/ADR/Recording.The ability to control all of those 8 outputs from a single volume knob on the front panel.2 Combo 1/4″/XLR jacks with reasonably passive preamps and a steady clock.– thus able to support up to 7.1 surround. Read on.Īs I talked about the Mark of the Unicorn Ultralite MK-3 Hybrid interface review, there’s only a few things which a media MOTU 1248 Audio InterfaceĬreative needs to have a well-functioning audio interface: In this article we’ll review the MOTU 1248 Audio Interface as a solution for both media creatives’ needs in post AND production. For we media creators we don’t need a lot out from an audio interface – just a few things really – and we need it to be affordable. When it comes to having an audio interface for your home system, having a “bargain” system is always an expression of “False Economy.” But many times the expensive models over charge and under deliver.
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